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镜子的另一面:纽波特民歌艺术节1963~1965

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镜子的另一面:纽波特民歌艺术节1963~1965》剧情简介

  "Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.

镜子的另一面:纽波特民歌艺术节1963~1965》影评

  (文开始)

  导演克里斯托弗·海顿的纪录片《镜子的另一面:纽波特民歌艺术节1963~1965》带领观众回到了60年代的美国,深入探索了这个时期纽波特民歌艺术节对音乐和社会的深远影响fIY。通过精彩的音乐演、珍贵的历史镜头和深入的访谈,这部影片展现了一个独特而令人难忘的时代,以及音乐如何成为社会变革的催化剂。《镜子的另一面:纽波特民歌艺术节1963~1965》是一部扣人心弦、感人至深的纪录片,让观众不仅仅是欣赏音乐,更是思考和回顾这段历史。

这部纪录片以纽波特民歌艺术节为背景,通过音乐和艺术家的视角,展现了当时美国社会的荡和变革。从鲍勃·迪伦的现场演唱到皮特·保罗与玛丽·特拉弗斯的深情合唱,每一场音乐演都充满了激情和力量RGLK。导演通过镜头的选择和剪辑,将观众带入了那个时代,仿佛亲临现场。音乐的力量在这部纪录片中被完美地展现出来,它不仅仅是一种乐形式,更是一种反抗和达的方式。

  除了音乐演,这部纪录片还通过访谈和历史镜头展了当时美国社会的态。从民权运到反战抗议,这些社会运在纽波特民歌艺术节中找到了一个平台,让人们用音乐来达对不公和不平等的愤怒www.xi-gua.xyz。导演采访了许多当时的艺术家和活参与者,他们分享了自己的经历和见解,使观众更加深入地了解了这个时期的历史背景和意义。这些访谈和历史镜头让观众对当时的社会氛围有了更加全面的认识,也让人们思考起音乐与社会之间的关系。

  影片的制作质量也值得称赞。导演克里斯托弗·海顿运用了多种影像技巧,使得影片更具观赏性和艺术性西~瓜~影~视~网。他巧妙地将现场演出和历史镜头交织在一起,让观众感受到了那个时代的独特魅力。同时,影片的剪辑和配乐也非常出色,让观众在欣赏音乐的同时,也能够感受到音乐所传递的情感和思想。

  总的来说,《镜子的另一面:纽波特民歌艺术节1963~1965》是一部令人难以忘怀的纪录片。它通过音乐和历史的交织,展现了一个特殊时期的社会变革和音乐的力量来源www.xi-gua.xyz。导演克里斯托弗·海顿通过精心的制作和深入的研究,为观众呈现了一个鲜活而实的画面,让人们对那个时代有了更加深入的理解和思考。无论是对音乐爱好者还是对历史追寻者来说,这部纪录片都是一次难得的体验。

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  • 5
    一树呀
    (打分:5分
    2024-05-16
    演员演技都很厉害,赞!
  • 4
    老彭爷
    (打分:5分
    2024-05-16
    镜子的另一面:纽波特民歌艺术节1963~1965是一部感人至深的 综艺片,Bob Dylan,Joan Baez,Judy Collins的演技令人动容,故事令人回味无穷。
  • 3
    伽玺
    (打分:4分
    2024-05-16
    演员们的精湛演技赋予角色深度,他们的表演打动人心,令人思考人与人之间的关系。
  • 2
    海东青
    (打分:4分
    2024-05-16
    剧情的转折让人屏息以待,难以预测的发展让人紧张不已。
  • 1
    职研
    (打分:5分
    2024-05-16
    镜子的另一面:纽波特民歌艺术节1963~1965通过扣人心弦的情节和出色的演员表现,让观众陷入其中无法自拔。
相关问答

1、问:《镜子的另一面:纽波特民歌艺术节1963~1965》什么时候上映时间?
答:这部影片的上映时间是 2023-03-15 16:42:28

2、问:《镜子的另一面:纽波特民歌艺术节1963~1965》美国 在哪个电视台播出?
答:《镜子的另一面:纽波特民歌艺术节1963~1965》目前只有网上如:爱奇艺、腾讯、优酷、西瓜影视网等播出、没有在电视台播。

3、问:《镜子的另一面:纽波特民歌艺术节1963~1965》演员表
答:《镜子的另一面:纽波特民歌艺术节1963~1965》是由 Murray Lerner 执导,Bob Dylan,Joan Baez,Judy Collins 领衔主演的真人秀、剧情。该剧于2023-03-15 在腾讯、爱奇艺、优酷、西瓜影视网等平台同步播出。

4、问:哪个平台可以免费看《镜子的另一面:纽波特民歌艺术节1963~1965》全集
答:免vip在线观看地址: https://www.xi-gua.xyz/video/u6ax.html

5、问:手机版免费在线点播《镜子的另一面:纽波特民歌艺术节1963~1965》有哪些网站?
答:百度视频、西瓜影视网

6、问:《镜子的另一面:纽波特民歌艺术节1963~1965》评价怎么样?
豆瓣电影网友:《镜子的另一面:纽波特民歌艺术节1963~1965》通过深入的哲学思考和精彩的剧情,唤起观众对人类智慧和宇宙奥秘的思考。Bob Dylan,Joan Baez,Judy Collins的默契配合令人惊叹,他们的武术功夫和表演技巧让观众目不转睛。Murray Lerner导演的导演才华使整个电影充满了诗意和哲学。故事情节扣人心弦,每个转折都让我意想不到,保持了我对电影的持续关注。

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